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Edinburgh’s Old Town lies frozen, a labyrinth of shadows and secrets under a winter
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moon. Alistair arrives at the Devil’s Advocate, seeking to bury the ghost of
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a bitter marriage. The air inside is thick with the scent of damp brick,
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old iron, and expensive regret. He sits alone with a forty thousand pound bottle
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of Macallan, a liquid monument to his divorce. On the wall, a painted devil
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grins, its eyes seemingly tracing every move he makes. The heavy door
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creaks again. Lydia, his bitter ex-wife, steps into the glow,
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an uninvited ghost. A final toast to our freedom, she suggests, her voice as
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